This may appear to be the odd guest at the table because it predates the polyester confidence of the 1970s. Yet its immaculate colour design, carefully staged suburban interiors and emotional architecture provide one half of the Maze Majestic Sleaze equation. Imagine these rooms slowly absorbing synthetic curtains, latex gloves, smoked glass and discount supermarket promotions over the following twenty years. The result would stand remarkably close to Windenberg.
Traumzustand: herbstlich, farbgeordnet, höflich unerträglich
“Maze Majestic Sleaze did not suddenly arrive in the 1970s. It had already been arranging the furniture for years. This film supplies the colour, the emotional discipline and the carefully supervised windows. Polyester merely arrived later with several additional opinions.”
Anekdote: On my second viewing I attempted to follow only the story. This lasted approximately seven minutes. A red lampshade intervened and the experiment had to be abandoned.
Bemerkung: A true work of emotional architecture. People speak, but the rooms have prepared the conditions under which speaking is permitted.
Achtung: After viewing, ordinary curtains may appear insufficiently committed to their responsibilities.
Fundstück: The archive keeps this film because it demonstrates that domestic beauty may comfort, supervise and quietly imprison at the same time.
Resonanz in Windenberg
“This film does not resonate through a single mood. It reveals a different room to every viewer. Dr. Liebkind disappears into its emotions, Miss Gloria allows it to accompany an afternoon, and Mrs. Meines studies the quiet authority of its architecture.”